01
Cutting of sheet metal
by a guillotine
02
Pressing of flat sheet metal
to form a convex shape
03
Drilling holes for hanging
04
Grinding and
smoothing edges
05
Cleaning and degreasing
06
Applying basic enamel
07
Kilning at a temperature
of 850°C
08
Applying a white enamel
as a background
09
Kilning at a temperature of 800°C
10
Applying a first colour enamel
11
Drawing and cutting
out a stencil
12
Stencilling by hand
of the first colour
13
Kilning of the
first colour
14
Applying a second
colour enamel
15
Stencilling of the
second colour enamel
16
Kilning of the
second colour enamel
17
Applying a third
colour enamel
18
Stencilling of the
third colour enamel
19
Kilning of the
third colour enamel
20
Drawing an image
for a screen printing
21
Exposing a screen
for a screen printing
22
Developing and retouching
a mesh of a screen
23
Printing a motive and
applying a transfer coat
24
Applying of a
screen on a sign
25
Kilning the screen printing
26
An enamel sign
is ready
Sheet and drawing — Production
The edge of “Production” after 840 degrees is checked against the light. For “Production”, a blister goes back for repair. Around the letters of “Production” we leave 13 mm so ivory enamel does not flood the stroke.
The mark on “Production” keeps its proportion. For “Production”, yellow enamel covers the ground and the letter stays clean. On a wall “Production” is fixed with a facade rail, and the 1,4 mm sheet does not spring.
We cut “Production” from 1,0 mm sheet into a square and coat it with navy enamel. In the rain “Production” stays smooth, because the 11 mm rim sheds water off the face.
The 9 mm rim on “Production” closes the edge before the kiln reaches 780 degrees. A quote for “Production” needs 35 by 30 cm, the rectangle shape and the wording.
Holes for “Production”, 5 of them, are drilled before enamel. For “Production”, they sit 8 mm from the rim. The red shade on “Production” is judged in daylight, 11 mm from the workshop lamp.
Letters on “Production” are drawn thicker than the print. For “Production”, white enamel rounds them slightly in the kiln. If “Production” hangs in a row, the top edge stays level and the holes sit 12 mm apart.
A 1:1 proof of “Production” is printed first. For “Production”, the wording can shrink before the drawing meets the sheet. A later “Production” keeps the same lettering, the yellow enamel and the 8 mm rim.
Gloss high stays on outdoor “Production”. For “Production”, a corridor plate can stay quieter. We ship “Production” upright, on 1,6 mm sheet, with the corner toward the middle of the crate.
Enamel and kiln — Production
Mounting “Production” is planned on a post clamp. For “Production”, the holes match the drawing. Around the letters of “Production” we leave 9 mm so ivory enamel does not flood the stroke.
A run of “Production” shares one drawing. For “Production”, shade yellow does not drift inside batch 434. On a wall “Production” is fixed with screws with washers, and the 1,0 mm sheet does not spring.
We pack “Production” with a slip sheet. For “Production”, corners guard the navy enamel in transit. In the rain “Production” stays smooth, because the 12 mm rim sheds water off the face.
Cleaning “Production” means water and a soft cloth. For “Production”, scouring powder would scratch ivory enamel. A quote for “Production” needs 35 by 10 cm, the square shape and the wording.
A second language on “Production” uses a smaller size, same face. For “Production”, the drawing holds both lines. The red shade on “Production” is judged in daylight, 13 mm from the workshop lamp.
Lead time for “Production” with 4 colours is about 8 working days after the drawing is approved. If “Production” hangs in a row, the top edge stays level and the holes sit 8 mm apart.
Artwork for “Production” can be PDF, SVG or JPEG. For “Production”, we do not stretch the mark on the drawing. A later “Production” keeps the same lettering, the yellow enamel and the 9 mm rim.
At night “Production” in red stays readable, because letter and ground contrast is high. We ship “Production” upright, on 1,2 mm sheet, with the corner toward the middle of the crate.
Mounting and delivery — Production
The margin on “Production” is 8 mm. For “Production”, a long line breaks in two rather than thinning the face. Around the letters of “Production” we leave 11 mm so ivory enamel does not flood the stroke.
A repeat of “Production” a year later uses the drawing. For “Production”, face and yellow enamel stay the same. On a wall “Production” is fixed with rivets, and the 1,6 mm sheet does not spring.
Interior and facade versions of “Production” differ in gloss quiet. For “Production”, sheet thickness stays 1,2 mm. In the rain “Production” stays smooth, because the 6 mm rim sheds water off the face.
The top edge of “Production” in a row stays level. For “Production”, hole spacing is fixed on the drawing. A quote for “Production” needs 35 by 20 cm, the oval shape and the wording.
The format of “Production” starts at 25 by 10 cm. For “Production”, that is the lettering field, not only the margin. The red shade on “Production” is judged in daylight, 9 mm from the workshop lamp.
The period look of “Production” comes from a white border, not fake wear. For “Production”, the enamel stays even. If “Production” hangs in a row, the top edge stays level and the holes sit 10 mm apart.
Shipping “Production” uses corner guards. For “Production”, a knock would chip black enamel even though it is hard. A later “Production” keeps the same lettering, the yellow enamel and the 10 mm rim.
A quote for “Production” needs size, the circle shape and the wording. For “Production”, the drawing skips needless data. We ship “Production” upright, on 0,8 mm sheet, with the corner toward the middle of the crate.
More from the workshop (Production): Emaliowane logo firmowe, Emaliowane szyldy dla aptek, Emaliowane szyldy dla sklepów.